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Table of Contents:
submission deadline for the m.a.g.
"august highland" <hmfah3@hotmail.com>
Greg Elmer (ed.): Critical Perspectives on the Internet
"geert lovink" <geert@xs4all.nl>
nyc0902
"kanonmedia.com" <office@kanonmedia.com>
Plagiarist Fun Fall PR Project PR!
Amy Alexander <plagiari@plagiarist.org>
Mapping Transitions" Internet Art Exhibition Opens
"JOe" <farbrook@altx.com>
Kristoffer <kgansing@hotmail.com>
net art stickers
"abraham linkoln" <abelinkoln@hotmail.com>
Movie on History of Open Source
"Soenke Zehle" <soenke.zehle@web.de>
free art for all !!
"bobig" <bobig@bobig.com>
EXIT # 7 "Teamwork" New Issue
"Calin" <Calin@euronet.nl>
publication announcement
elmergr <elmergr@mail.bc.edu>
DIAN Announcement for September
DIAN <info@dian-network.com>
republicart - new project on progressive art practices
eipcp <contact@eipcp.net>
------------------------------
Date: Mon, 2 Sep 2002 03:31:14 -0700
From: "august highland" <hmfah3@hotmail.com>
Subject: submission deadline for the m.a.g.
the next issue of the m.a.g. is oct 01
www.muse-apprentice-guild.com
- ---
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------------------------------
Date: Thu, 5 Sep 2002 07:45:26 +1000
From: "geert lovink" <geert@xs4all.nl>
Subject: Greg Elmer (ed.): Critical Perspectives on the Internet
Publication Announcement
Critical Perspectives on the Internet, Greg Elmer Editor
Rowman&Littlefield Publishers
Available from www.rowmanlittlefield.com
Preface: A Critical Primer for the Internet
Greg Elmer
Disorganizing the "New Technology"
David Sholle
A Critical History of the Internet
Brian Martin Murphy
The Case of Web Browser Cookies: Enabling/Disabling Convenience and
Relevance on the Web
Greg Elmer
Surfing for Knowledge in the Information Society
Richard Rogers and Andr=E9s Zelman
The Myth of the Unmarked Net Speaker
Alice Crawford
Digitizing and Globalizing Indigenous Voices: The Zapatista Movement
Donna M. Kowal
E-Capital and the Many-Headed Hydra
Nick Dyer-Witheford
Convergence Policy: It's Not What You Dance, It's the Way You Dance It
Marcus Breen
Internet Globalization and the Political Economy of Infrastructure
Bram Dov Abramson
------------------------------
Date: Thu, 5 Sep 2002 19:00:44 +0200
From: "kanonmedia.com" <office@kanonmedia.com>
Subject: nyc0902
NYC0902 <http://www.kanonmedia.com/portfolio/nyc0902.htm>
concept / drawings / visuals alexandra reill / 2002
the catastrophy of 11 / 09 / 01
seemed to be an eye-opening clash
between the capitalist & the muslim
worlds. two completely different
systems of society, economics
& belief again opposing each other
for philosophical & economic reasons.
NYC0902 relates to the
seemingly unending conflict
as a war of the rich for
power and capital and a war
of the poor for equal rights,
freedom of belief and
stable economics.
it is a piece produced as
a consequence of NYC9202
which was created in
the beginning of 2002
when the shock occuring from
the desctruction of the
world trade center and all
its implications was still
vividly alive. NYC0902 is
a direct transformation of the
piece produced then
referring to actual sensual
experiences relating to
the state of our world
one year after the catastrophy.
too many truths are still
the same. the ongoing war
between the U.S. and the muslim world /
recession / and environmental
catastrophies have transformed
everybody's life in the
western world. images of poverty
and suffering, of war and hunger
cannot be erased from
anybody's mind. daily life
is not the same any more.
kanonmedia.com cannot
believe in warfare but
definitely believes in
peaceful solutions and
equal human rights
for everybody and
every culture.
go on NYC0902
<http://www.kanonmedia.com/portfolio/nyc0902.htm>
- -------------------------------------
kanonmedia.com
non - profit org for new media
amadeus house, 99_48, mariahilfer st.
a-1060 vienna
t: ++43 - 1 - 920 70 03
mailto: office@kanonmedia.com
visit: http://www.kanonmedia.com
- -------------------------------------
sorry for cross-postings. for unsubscribing
from our newsletter just click reply
and say unsubscribe in the subject field.
------------------------------
Date: Thu, 5 Sep 2002 20:50:20 -0700 (PDT)
From: Amy Alexander <plagiari@plagiarist.org>
Subject: Plagiarist Fun Fall PR Project PR!
Plagiarist.org Proudly Presents:
The Travesty Corporate PR Infomixer!
http://infomix.plagiarist.org/corp
Be an InfoDJ at the click of a form button!
Online corporate PR remixing even the musically challenged can enjoy!
An homage to some classic open source software - but with a brand new
spin!
Algorithm as commentary! Algorithm as crossfader!
!!!The Algorithm is the Message!!!
And of course, in the Plagiarist Spirit of Christmas: Free Software
Available to create your Very Own InfoMixes!
Read more about it at:
http://infomix.plagiarist.org/corp/abouttravesty.html
or go straight to the InfoMixer!
That InfoMixer URL again:
http://infomix.plagiarist.org/corp
Presented by plagiarist.org. Software distributed in
association with The Yes Men Special Programming Initiatives
Taskforce (The Yes Men SPIT.) Visit the SPIT Boutique at:
http://theyesmen.org/spit.html
The InfoMixer is also splashing in a splash screen near you, at
http://artport.whitney.org
The Travesty Corporate PR InfoMixer: The Algorithm is the Message - But
It's Kinda Fun Anyway...
- --
plagiarist.org
Recontextualizing script-kiddyism as net-art for over 1/20 of a century.
------------------------------
Date: Fri, 6 Sep 2002 00:01:51 -0600
From: "JOe" <farbrook@altx.com>
Subject: Mapping Transitions" Internet Art Exhibition Opens
IMMEDIATE RELEASE
"Mapping Transitions" Internet Art Exhibition Opens
Contact: Joe Farbrook farbrook@altx.com
September 4, 2002
THE DEPARTMENT OF FINE ARTS AT THE UNIVERSITY OF COLORADO AT BOULDER, IN
CONJUNCTION WITH THE ATLAS CAMPUS-WIDE TECHNOLOGY INITIATIVE AND THE ALT-X
DIGITAL ARTS FOUNDATION, LAUNCHES INTERNET ART EXHIBITION
BOULDER, Colorado (September 4, 2002) -- The "Mapping Transitions" online
exhibition, co-curated by CU-Boulder digital art professor Mark Amerika
and Christiane Paul, Adjunct Curator of New Media Arts at the Whitney
Museum of American Art, has just been launched at
www.altx.com/mappingtransitions
The exhibition consists of 3 newly commissioned pieces from Internet
artists whose work was selected for the Whitney Biennial 2002. The artists
and works featured in this event are Mary Flanagan's "[search]," Lisa
Jevbratt's "The Web Infome Imager," and John Klima's "Political Landscape,
Emotional Terrain."
The exhibition and Internet art forum are part of the "Rethinking the
Visual: New Technologies in the Context of Society and Culture"
conference, to be held September 13-15, 2002, at the University of
Colorado, Boulder.
Funding for the conference and Internet art forum has been provided by
University of Colorado's ATLAS (Alliance for Technology, Learning, and
Society) program, the University of Colorado's Department of Fine Arts,
and the Alt-X Digital Arts Foundation.
For more information on the "Rethinking the Visual: New Technologies in
the Context of Society and Culture" conference or the "Mapping
Transitions" Internet art forum, please send email to Joe Farbrook at
farbrook@altx.com
- --
- --JOe
******************************************************************************
farbrook@altx.com
******************************************************************************
joefarbrook.com
------------------------------
Date: Fri, 6 Sep 2002 15:23:36 +0200 (CEST)
From: Kristoffer <kgansing@hotmail.com>
Hello,
On July 3 Dr. Lev Manovich gave a lecture at K3 - the Art, Culture and Communication department of Malmö University, Sweden. The lecture was part of the ongoing series of Skiften/The Shift Project.
The 4th of July I sat down with him for an interview concerning
The Language of New Media and his other writing.
You can find the full transscript of the interview at:
http://www.skiften.com/arkiv/kommentar40_1.html
/Kristoffer Gansing
K3 - Malmö Univ.
kristoffer.gansing@k3.mah.se
------------------------------
Date: Sat, 07 Sep 2002 22:23:08 +0000
From: "abraham linkoln" <abelinkoln@hotmail.com>
Subject: net art stickers
Net art stickers
http://www.linkoln.net/stickers
Brought to you by the web’s best start up / favorites / (exhibition ?) page
www.linkoln.net
With a whole lotta new links and a whole new scrambled format
Your trusty president,
Abe linkoln
_________________________________________________________________
Join the world’s largest e-mail service with MSN Hotmail.
http://www.hotmail.com
------------------------------
Date: Sun, 8 Sep 2002 15:42:28 +0200
From: "Soenke Zehle" <soenke.zehle@web.de>
Subject: Movie on History of Open Source
http://www.revolution-os.com/
REVOLUTION OS tells the inside story of the hackers who rebelled against
Microsoft and created GNU/Linux and the Open Source movement.
On June 1, 2001, Microsoft CEO Steve Ballmer said "Linux is a cancer that
attaches itself in an intellectual property sense to everything it touches."
Microsoft fears GNU/Linux, and rightly so. GNU/Linux and the Open Source &
Free Software movements arguably represent the greatest threat to
Microsoft's way of life. Shot in cinemascope on 35mm film in Silicon Valley,
REVOLUTION OS tracks down the key movers and shakers behind Linux, and finds
out how and why Linux became such a potent threat.
REVOLUTION OS features interviews with Linus Torvalds, Richard Stallman,
Bruce Perens, Eric Raymond, Brian Behlendorf, Michael Tiemann, Larry
Augustin, Frank Hecker, and Rob Malda. To view the trailer or the first
eight minutes go to the ifilm website for REVOLUTION OS.
Companies such as Hewlett-Packard, IBM, Ogilvy & Mather, OSDN, and
Dreamworks Animation have rented REVOLUTON OS for private theatrical
screenings. It has also screened in numerous film festivals including South
By Southwest Film Festival, the Atlanta Film & Video Festival, Boston Film
Festival, and Denver International Film Festival. REVOLUTION OS won Best
Documentary at both the Savannah Film & Video Festival and the Kudzu Film
Festival.
REVOLUTION OS is available in the 35 mm motion picture format and runs 85
minutes.
http://www.wired.com/news/print/0,1294,54837,00.html
Linux: The Revolution on Film
By Steve Kettmann
2:00 a.m. Sep. 2, 2002 PDT
It's a little hard to imagine an über-geek like Linus Torvalds getting the
full-on rock-star treatment and having to urge an exuberant crowd to settle
down, but that was just what happened at the LinuxWorld trade show in August
1999.
"Calm down, calm down," Torvalds said, looking more like a Helsinki bus
driver just back from a satisfying ski vacation than a Finnish programmer
famous for writing the Linux kernel.
Given the importance of Linux and the open-source movement, the moment is
priceless. It and other glimpses of Torvalds are enough to make the
documentary film Revolution OS essential viewing for anyone who wants to
gain a deeper understanding of the people and ideas behind the open-source
movement.
"I called it Linux originally as a working name," Torvalds says. "I
initially thought I couldn't call it Linux in public because that was just
too egotistical, and that was before I had a big ego."
Torvalds is clearly the star, even when he's not on camera. That's fitting,
too, for the single most important figure behind an operating system with a
cultish following -- one that has inspired such wacky events as Linux beer
hikes in Bavaria, England's Lake District, Belgium and -- this week -- in
County Clare, Ireland.
There's plenty here for the serious Penguin-head, of course, but also a
thorough, useful primer for those with less background, starting with the
basics. One memorable scene has Torvalds explaining how to pronounce his
first name and that of his famous operating system: In Swedish and Finnish,
his name comes out sounding like Leee-nooos.
In English, it's pronounced like that of the thumb-sucking "Peanuts"
character with the security blanket. The operating system, he says, is
always pronounced with the first syllable rhyming with "in" -- although, in
fact, many in Europe -- where the OS was born -- say it with a long vowel.
J.T.S. Moore, the USC film-school grad who directed, wrote, produced, shot
and edited the film, started on the project in 1999 and took the approach of
"an outsider looking in," he explains at the film website.
The more he worked, the more he grew interested in the philosophical
underpinnings of the open-source movement, as embodied by GNU founder
Richard Stallman.
"Think of Richard Stallman as the great philosopher, and think of me as the
engineer," Torvalds said.
But elsewhere in the film, Torvalds somewhat rudely dismisses Stallman's
contention -- supported by neutral third parties -- that the system ought to
be called the GNU/Linux operating system, since it was Stallman's GNU
project, begun long before Torvalds wrote the Linux kernel, that made the
whole thing possible.
Moore deserves respect for providing this invaluable record.
------------------------------
Date: Sat, 7 Sep 2002 16:33:54 +0200
From: "bobig" <bobig@bobig.com>
Subject: free art for all !!
My goal is simple. art for all.
Since 1996, i gave away my art by using internet...
my works are various : photography, painting, multimedia, video....
in this website, you could see the webzones and many other works. =
Download my art for your=20
computer and order my free art....because....
FREE ART =3D FREE ARTIST !
today , je vous propose :
http://www.bobig.com/paintings/
bobig [artiste du dimanche et du soir apr=E8s le =
boulot] =20
http://www.bobig.com
------------------------------
Date: Mon, 9 Sep 2002 20:13:40 +0200
From: "Calin" <Calin@euronet.nl>
Subject: EXIT # 7 "Teamwork" New Issue
EXIT # 7 "TEAMWORK"
(September / October / November - 2002)
174 pages / 105 images colour & duotone.
Texts: Helena Cabello / Ana Carceller, Anna & Bernhard Blume, Jos=E9 =
Miguel G. Cort=E9s,
Manuel Santos, Barry Schwabsky, Rosa Olivares and Charles Green.
Main Artists: Anna & Bernhard Blume. Dossiers: Pierre et Gilles,
Bleda y Rosa, Jane & Louise Wilson, subREAL.
Published by Rosa Olivares & Associates (Madrid)
# Two eyes, yes, and sometimes two or more heads as well. In the recent =
history of art and the most contemporary photography, it is not unusual =
to encounter work carried out by duos, by trios or, let us say, by =
teams. Couples, some now historic, who develop or have developed a =
single body of work. Two who are one, such as Gilbert & George, "We say: =
We are one person", and who partially renounce an individual identity in =
order to create a different being, a different author.
Couples, most of them, who are sometimes relatives, sometimes lovers, or =
merely individuals who share common aesthetic interests. In some cases, =
they are only together for a brief period of time, and in others they =
stay together for a lifetime. Some of these teams have made their mark =
on art history by way of photography, as is the case with Bernd & Hilla =
Becher and Gilbert & George. Indeed, there are more artists who have =
opted to create in teams, and the areas of photography, video and film =
are those most often chosen by teams to develop their work.=20
In this issue, we will present some of them, with special attention to =
the work of Anna & Bernhard Blume, a now classic German photographer =
couple, whose work does not belong to any movement or follow any trends. =
The issue also features the work of Jane and Louise Wilson (commentary =
by Barry Schwabsky), Pierre et Gilles (Jos=E9 Miguel G. Cort=E9s), Bleda =
y Rosa (Manuel Santos), and subREAL (Rosa Olivares).
In addition to these protagonists, there are also reproductions by the =
following artists: Gilbert & George, Bernd & Hilla Becher, Clegg & =
Guttmann, AES+F Group, Peter Fischli & David Weiss, Komar & Melamid, =
Theresa Hubbard / Alexander Birchler, Guerrilla Girls, Helena Cabello / =
Ana Carceller, L.A. Raeven, Aziz + Cucher, Rose Farrell & George =
Parkin, MP & MP Rosado Garc=E9s, Mike & Doug Starn, General Idea, Marina =
Abramovic & Ulay, G=F3mez Molina / Guillermo Lled=F3, Igor & Svetlana =
Kopystiansky, MacDermott & MacGough, Mabel Palac=EDn and Marc Viaplana, =
Pere Formiguera and Joan Fontcuberta, Atelier Morales, Pilar Albajar & =
Antonio Altarriba, Eva & Adele, among others.
Two main texts delve into the complexities of collaborative =
relationships and teamwork in contemporary art, and in photography-based =
art in particular. On the one hand is the essay by the Spaniards Helena =
Cabello / Ana Carceller, a couple of artists who have also produced =
significant writings on art, and on the other, as a coda to this number, =
is the text by the Australian professor and artist Charles Green, author =
of the book The Third Hand. Rosa Olivares' editorial and the customary =
index of artists complete this exploration of teamwork.
EXIT Image & Culture
Juan de Mena, 25 - 2=BA I // 28014 - MADRID (Spain)
Tel +34 91 523 38 99 // Fax + 34 91 532 94 92
exit@exitmedia.net // Web (under construction) =
http://www.exitmedia.net/new.html
------------------------------
Date: Tue, 3 Sep 2002 19:14:22 -0400
From: elmergr <elmergr@mail.bc.edu>
Subject: publication announcement
Apologies for cross-posting.
Publication Announcement
Critical Perspectives on the Internet, Greg Elmer Editor
Rowman&Littlefield Publishers
Available from www.rowmanlittlefield.com
Preface: A Critical Primer for the Internet
Greg Elmer
Disorganizing the "New Technology"
David Sholle
A Critical History of the Internet
Brian Martin Murphy
*
The Case of Web Browser Cookies: Enabling/Disabling Convenience and
Relevance on the Web
Greg Elmer
Surfing for Knowledge in the Information Society
Richard Rogers and Andrés Zelman
The Myth of the Unmarked Net Speaker
Alice Crawford
Digitizing and Globalizing Indigenous Voices: The Zapatista Movement
Donna M. Kowal
E-Capital and the Many-Headed Hydra
Nick Dyer-Witheford
Convergence Policy: It's Not What You Dance, It's the Way You Dance It
Marcus Breen
Internet Globalization and the Political Economy of Infrastructure
Bram Dov Abramson
Greg Elmer | Co-Editor
Assistant Professor | Space and Culture
Department of Communication | http://www.carleton.ca/~rshields/
Boston College | space/index.html
215 Lyons Hall |
Chesnut Hill, MA |
02467
web site:
http://www2.bc.edu/~elmergr/
------------------------------
Date: Sun, 01 Sep 2002 17:49:47 +0200
From: DIAN <info@dian-network.com>
Subject: DIAN Announcement for September
DIAN - Digital Interactive Artists' Network
[Image]
http://dian-network.com
September:
DIAN - Digital Interactive Artists' Network -
Our focus for the month of September is NORMA V TORAYA . We proudly
present her work:
"Crankbunny Full Installment One: Maquette"
http://dian-network.com/navigation.html
Crankbunny is an internet/video project started to explore the nature
and future narrative structures, mostly non-linear storytelling. The
stories are structured around a progressive epic tale about the future.
A hazy future where cyborg-humans live in cities abandoned ? weird
organic urban landscapes mixed with sci-fi imploded techno. The human
evolution of emotion and constant interaction of technology - the
machine - is the theme. The "machine" is a quality that is enveloping
all of us more and more as we become part of the future.
Interactive web-based movie, 11 min.
------------------------------------------------------------------------
DIAN - Digital Interactive Artists' Network - is a network for artists
who are seriously involved in using Internet technology in the domain of
contemporary art.
We are deeply interested in artists working in this field. Artists
working with the web, the net and related domains, please submit your
work here:
http://dian-network.com/information.html
Visit DIAN and explore what can be done on the Internet.
address: http://dian-network.com
e-mail: info@dian-network.com
to unsubscribe from this list send an email
to unsubscribe@dian-network.com
------------------------------
Date: Thu, 05 Sep 2002 02:06:13 +0200
From: eipcp <contact@eipcp.net>
Subject: republicart - new project on progressive art practices
the new website of republicart is now online. the transnational research
project on progressive practices in public art starts with a tool-kit
including manifesto, news, calendar and more about the discourse and
practices of participatory, interventionist and activist art.
http://www.republicart.net
nucleus of the website is the project’s multilingual webjournal: you
will find the brandnew issue 'hybrid?resistance' assembling texts on the
recent intersection of art and political practices in the context of the
protests against economic globalisation.
http://www.republicart.net/disc/hybridresistance/index.htm
republicart is a 3-years project of the eipcp - European Institute for
Progressive Cultural Policies in cooperation with Galerija Skuc,
Ljubljana; Goldsmiths College/University of London; Kunstraum der
Universität Lüneburg, Latvian Centre for Contemporary Art, Riga; and
many other partners and art institutions throughout Europe. In 12
exemplary art projects and 12 discursive events, artists, theorists and
institutions will explore and develop different lines of artistic
production, contemporary theory and cultural politics.
republicart is supported by the culture 2000 programme of the European
Union.
[the website is currently optimized for 5.x and higher version
browsers.]
- -----
eipcp - european institute for progressive cultural policies
contact@eipcp.net
www.eipcp.net
a-1060 vienna, gumpendorfer strasse 63b
------------------------------
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